Monday, September 15, 2008

Shakespeare and the Globe Theatre

  • The reputation of the Elizabethan theatre rests above all on the work of William Shakspeare (1564-1616)


-William Shakspeare was considered the greatest playwright of all time.
-The company that Shakspeare belonged to (The Lord Chamberlin's Men and later the Kings Men)

I. Plays and Playwrights

  • There were at least two companies playing in or around London


-They preformed six times a week, every day except sunday.
-The times of the preformances were; in the afternoon beginning around 2pm
and during normal working hours.

  • London was still a relatively small city, only around 200,000 people. companies were in strong competiton for audience


-Due to this fact companies changed the bill everyday.
-New plays came around every seventeen days, the average length of a play was ten preformences
-New plays were in constant demand , this was a playwrights delight

  • Playwights didn't care about being published


-It wasn't untill 1616 when Ben Jonson collecteted and published all of his own dramas, did plays start to be recognized as literature.
-Shakspeares work wasn't published untill several years afeter his death

  • Writting as a living

-A person who made a living selling plays, had to sell four or five plays a year
-Shakspeare only wrote two a year but he was also a actor and a major shareholder in his company
*after 1599 William Shakspeare was part owner of the Globe Theatre, this is where the company preformed
*Soon William was involved in almost every aspect of the theatre, making him wealthier then any of his fellow dramatists

  • More then new plays

-More then a steady stream of new plays a company needed a preformence space.
-As the profession became more accepted and popular, buildings were built spacifically for performing w\were built.
-Amung the first to be built was the Red Lion, which was built in 1567
-The best of the earlier theatres was The Theatre, which was built in 1576

  • The Globe

-The theatre used by William Shakspeares company after 1599.
-The Globe was basically round and had 3 levels of roofed galleries enclosed unroofed open space, which was called the yard.
-The Globes stage extended to the middle of the yard, it was viewed from three sides by spectators sitting in the galleries or standing in the yard.
*The stage was sheltered by a roof, a.k.a "the heavens" or "the shadow"
-The stage elements were an adaption of medieval conventions
-The Stage also had things in common with Greece and Rome
*The location for all the scenes were described through dialect, this was called "spoken decor"
*The time and place was all up to the playwright, the choices were unlimited

  • Costumes

-Most costumes, regardless of the historical era of the play were clothed in the Elizabethan garments appropriate to thier rank, age, and profesion
-Other kinds of costumes were used sparingly
*Greek and Roman: drapery superimposed on Elizabethan dress
*Ghost,witches,fairies, and allegorical figures: Fanciful garments corresponding to ideas of the mythical creatures
-Costumes were a high priority for companies as well as a great expense

  • Lighting

-Not a issue.
-Preformances were preformed outdoors during daylight hours
-Darkness was indecated by the characters carrying lanterns or candles. Either that or by dialect.

  • Companies

-The most important factor
-Companies were made of twenty-five or more whom more then half were shareholders
*the shareholders made all the important decesions, played most of the major roles, and shared any profit
-A number of hired men were paid weekly as actors, prompters,musicans, stagehands, or wardrobe-keepers.
*there were also four to six apprentices, boys who played female roles
*All members of the company were males, the were no english actresses until 1661
-Because of the many characters in each play, there was a lot of double casting
*Since a company preformed a different play each day, an actor was responsible for many lines

  • Elizabethan Theatre

-Elizabethan actors did not wear masks, unless if they were used as disguises
*every line was spoken and behavier was based on that familiar to the audience
-Elizabethan theatre included a musical elemant
*trumpets were sounded to mark the entrance of kings, to call attention to important announcments and serve as signals in numerous battles
*Music accumpanied songs and dances in many plays, most performences concluded with a lively jig

Monday, September 8, 2008

Creating a Professional Theatre

I. Renaissance

A. Artists turned their attention to Greece and Rome.

B. Revived interest in the Classical art was Greek and Roman plays and theatrical practices.

C. During this period the understanding of the classical theatre was severely limited.

D. Playwrights began to write plays that imitated classical subjects.

II. Religion

A. Some fractions soon found theatrical performance a good propaganda medium.

B. Fights began because playwrights exploited the fact the majority of their audience couldn’t read and displayed their own views on things ,1550 both church and state tried to reduce these disputes.

C. In 1558 when Elizabeth I toke the English throne she banned plays that involved political and religious subjects.

D. Forbidden to perform religious and political Ideas the theatre had to circle around the ideas of classical literature, Historical Chronicles, and legends.

III. Guilds

A. Devoting ones life to the theatre was considered wasteful and sinful.

B. Guilds stop supporting theatre companies due to the fact it took people away from their work, engaged immoral behavior, spread diseases, and offered cover for seditious activities.

IV. Survival

A. Groups had to be able to play often, have lots of different plays to perform, and have a performance space large enough for a sensible number of audience, and have a permit to charge an entrance fee.

B. The costumes, set, and production personnel had to be supplied by the group

C. They were also called “master less men” because they didn’t belong to a guild, subject to punishment and arrest.

V. License

A. Rulers insisted that companies have licenses to perform

B. This required to have the play be seen by the ruler before preformed in order to ensure that the play didn’t stir up political or religious controversy

C. Despite this, the London city council sought to forbid performances within the city